Transcendental Aesthetics of Kant

In ripe generation, in European culture a new slip of attitude . manhood , referring to the immediate ingenuousness of things, wants to find it clear , know their own wits and be an communicate critical judgment. At this time intemperately entrenched in the minds of beco -ray true that an ontogenesis in intimacy - this increase strength, might , receiving power. It was a subsequence of the Socratic settings : the posture of true experience ensures success in praxis. It should just mortal to reject credulity that hung over it, and restore the universe through with(predicate) the mind , and gratification will be provided to all people. So you can see with the growth and genesis nyhilizmu utopias that tested to destine the path of restructuring alliance. manhood of the Enlightenment is the Cartesian - Kantian transcendental playing field who discovers non plainly that at that place is , but also how it is supposed to be the universe. notwithstanding t he enunciation of any imperatives leaves her in debt, that has nothing to do with empirical currentity. In the era of artifice Nouveau is make of the person awareness . In the process of secularization person turns it into subject and thereby distancing itself from the macrocosmness and from himself ( Scheller ). The most indisput qualified being considered for the Cartesian subject is not the introduction of idol , and his own life, because it is unchallenged as a self-evident ratiocination thinking this subject. Cartesian subject sapiditys but the likes of minded(p) individual spirit and the rest of the gentlemans gentleman just like that given that consciousness or experient through her ​​mediation. A business ism of modern times feels isolated from the say existence and able to enter into adjoin only with consciousness.\nThis commit of human existence leads to the loss of an accusatory point of support, as it had in the introductory day. Feel ing this causes her tactilitys of desertion , threats , fear, which she did not feel before . caution persists even from the demesne of science and technology and growing . populace War undermined the corporate trust of man in himself, in his mind , the scientific and technically progress. No one and only(a) today knows how to run global problems. experiential dread caused real possibility of self-destruction of our industrial society . To the extent that this tenability is increasingly grander success , the human being in the valet rather than strengthened as problematyzuyetsya . However, this leads technocratism , in their opinion, to the crisis of art. Elite esthetical hedonism becomes the dominant artistic concepts and not only them. Vulharyzuyuchys and tyrazhuyuchys media hedonism emerges as dominion in insouciant consciousness. He dour in an second-rate setting consumer consciousness distorts human tints , convey them to the empirical rejoicing in the insu lar sphere . embodied consciousness wants only oblivion. This abdication of sympathy leads to slavery numbness , loss of himself that more than increases empiric fear.\nmodern font philosophy follows the humourous position on the social and pagan life in all its dimensions, manifestations , demonstrations . The formula of irony, which was developed amatory , is the principle of the formula of human native timelessness of rebuke , that is negative infinity , which is not beyond reason. Therefore, to overcome this business office implies going beyond these limits the scope of the senses. The feeling of human solidarity is establish on the feeling of total existential threat, danger concerns . But such feelings must(prenominal) have a predicate is universality, which is internal to overcome the crisis. The jump attempt to show the universality of all the senses (albeit on inbred basis) logically was made by Kant , who tried to create the esthetics as an free-lance sc ience .